AZIATIX releases their newest music video for “Nothing Compares to You,” an infectious new dance track from the Japanese release of their debut album Nocturnal.
Congrats to Aziatix for signing huge record deal with Cash Money Records worth $11.3 million!
Click to view at Amazon
Hot off winning the award for Best New Group at the international Mnet Music Awards, Aziatix drops “Nothing Compares to You” as a tribute to their fans who had made their incredible rise to international stardom and success possible.
“Can’t Concentrate” is PaperDoll’s fourth official music video. The track was produced by Meteor Award Winner Michael Moloney and is available on itunes, amazon, and all major online retailers. The multi-cultural group is currently featured in a NIKE campaign airing in Greater China. Fronted by Chinese American Teresa Lee, PaperDoll is known for their uninhibited, high-energy live shows.
The video features the best of New York’s “hooper” (hula hooper) talent and was filmed in Navatman dance studio in Midtown Manhattan. PaperDoll is quickly gaining a reputation for finding the best in emerging subcutlures and talent. Past videos have featured underground animator Richmond Lee, Japanese director Tomoyuki Kato, and hip hop video director Court Dunn.
Back from their six-city, seventeen-show tour of China, indie pop band PaperDoll releases their latest music video for single “Can’t Concentrate“.
Monster Energy Drink starring Chuck Maa from Instant Noodles crew. Directed by Steven Butler. Choreography also by Steven Butler. I am happy to see Chuck Maa depicted as the guy who can compete in a street tough club scene and get the girl! How about you? Is this commercial breaking new ground? Please leave a comment!
In hopes of impressing a girl, an unlikely b-boy breaks the only rule at an underground hip-hop dance club.
In 2007, after four years at USC (where she recorded and self-released three EPs) and a brief move to Austin, TX, Kina joined YouTube, made a music video and entered herself into Doritos’ Crash The Super Bowl contest. In the months that followed, Kina began to accrue followers, lots of them, making herself right at home in front of her computer. Her Two Weeks For Kina site traded daily videos in exchange for votes, and while her votes piled up her following grew exponentially. A few months later, her video for “Message From Your Heart” aired during the Super Bowl and its 97-million viewers and Kina had a YouTube following, a Twitter following, a #1 video on Digg.com, a street team and, for a short time, a record deal.
Interestedly, after getting a recording contract with Interscope, Kina Grannis decides to go her own way:
Exchanging creative control for independence, Kina forfeited her record label, determined to record and release the songs she’d been writing for years. In true DIY form, Kina self-funded and independently-released Stairwells in early 2010. The album debuted on Billboard’s Top 200 and #5 on iTunes Pop Chart, and The New York Times and WNYC Soundcheck recognized Kina as one of the top Asian-Americans making an impact in the pop music world (she’s half-Japanese). She released a music video for her single “Valentine,” which has been featured on Yahoo! Music and has accrued more than 10-million views on YouTube. The track would later propel Kina to win Sirius Radio’s Coffee House Singer/Songwriter Discovery of 2010.
“One of the most amazing things that came out of the whole experience was the relationship that formed between me and my supporters online. They were right there on the journey with me, and every bit of success I had was thanks to them.”
Stairwells Album, click on image to view at Amazon, $13.84
MP3, click on image to view at Amazon, $5.49
In Your Arms single, $.99. Click on image to view.
Valentine single, $.99. Click on image to view.
To see her in concert, her World Tour schedule is here.
Jim Yong Kim is a great example of a very successful but not-planned-since-birth career that still has not reached its pinnacle. What is interesting is that his success stems from taking the road less taken. While his career choice, a doctor, is a career path encouraged by Asian American parents, the path of least resistance would have been to, well, practice medicine as a specialist. Instead, five years after graduating from Brown University, he co-founded a non profit, Partners in Health, to help provide medical care to the poor in developing countries:
At its root, our mission is both medical and moral. It is based on solidarity, rather than charity alone.
When a person in Peru, or Siberia, or rural Haiti falls ill, PIH uses all of the means at our disposal to make them well—from pressuring drug manufacturers, to lobbying policy makers, to providing medical care and social services.
Whatever it takes. Just as we would do if a member of our own family—or we ourselves—were ill.
I would imagine that he did this from his heart, to do something meaningful with his life, not as a Machiavellian plan to rule the world. Indeed, at Partners in Health, his partner, Paul Farmer, basked in the PR limelight while he seemed to be working quietly in the background for more than fifteen years. From Partners in Health, he went on to World Health Organization focusing on HIV/AIDS while teaching at Harvard Medical School. From here, he became President of Dartmouth College becoming the first Asian-American to assume the post of president at an Ivy League institution. And while this is prestigious position, there is a good possibility that he will become the next president of The World Bank.
Nice guys DO come in first, it would seem!
“Highly respected among global health experts, Dr. Kim is an anthropologist and a physician who co-founded the nonprofit Partners in Health and a former director of the department of H.I.V./AIDS at the World Health Organization.
“The leader of the World Bank should have a deep understanding of both the role that development plays in the world and the importance of creating conditions where assistance is no longer needed,” President Obama said Friday. “It’s time for a development professional to lead the world’s largest development agency.”
In a statement, Timothy F. Geithner, the Treasury secretary and an alumnus of Dartmouth, praised Dr. Kim, with whom he is friendly: “Development is his lifetime commitment and it is his passion. And in a world with so much potential to improve living standards, we have a unique opportunity to harness that passion and experience at the helm of the World Bank.”
The White House had scrutinized Senator John Kerry, Democrat of Massachusetts; Lawrence H. Summers, the former Treasury secretary and Obama economic adviser; and Susan E. Rice, the United States ambassador for the United Nations, for the World Bank job.
But all three might make good candidates for high-ranking administration positions in the event that President Obama won a second term. Moreover, President Obama wanted to name a development expert, particularly one with experience aiding the world’s poorest. That led the White House to select Dr. Kim.”New York Times
I suppose that it’s fair to say that perhaps these opportunities, while hard won and deserved, perhaps were not available to Asian Americans even a decade or two ago. Maybe the world has changed significantly when Obama, as the first African American president was elected. What do you think? Or perhaps is the path less traveled a road that Asian Americans should be exploring more than ever? Do your parents agree? What do they attribute Jim Yong Kim’s success to?
Deborah Jiang Stein was born in prison to a mother addicted to drugs and later adopted into a loving Jewish family. Her story is not a typical Asian American story and that’s exactly why it’s so interesting. It’s all here in her new book Even Tough Girls Wear Tutus.
The story of a woman whose gift for finding purpose in life drives her to help others change their lives even as she struggles to accept and overcome her own past, born heroin addicted to a mother in prison. Her story proves we’re more than the sum of our parts, and there’s always a chance for redemption.
Sometimes, it takes a dive over the edge to find your center. Even Tough Girls Wear Tutus is about the courage and curiosity to create an authentic life with purpose and resilience, and what it takes to hold onto this courage.
Today Deborah tours women’s prisons to plant seeds of possibility and hope for others, and little by little, fulfilling her mission to change attitudes of secrecy and shame.
Her interview is here, Up Close and Personal:
1) You have one of the most fascinating backgrounds! And I thought Anthony Bourdain (host of No Reservations and ex-chef author) had some history! What made you rebel? And what was the turning point for you?
Thank you, Mia, for your interest in my story and work. I’m honored you’re including me on your blog, especially because I live between several worlds with mixed Asian American one of my identities. I’m still finding out the mix.
Which turning point spun me into rebellion, I’m not sure. The first turning point might’ve entered my life before birth, when I sensed the insecurity of my birth circumstance, about to pop out into a prison.
One point of no return framed the early part of my life after I learned about my birth in prison from a letter I discovered buried in my mother’s dresser. I was twelve and from that day on I carried the secret, and the stigma, with a vengeance against the world.
2) You show remarkable fortitude and resiliency. Where does this come from? What traits can you attribute to your birth parents? And what to the parents who raised you?
I’ll never know for sure where nurture balances against my nature. How does anyone know this? There’s much I don’t know. I can say I have a higher threshold of risk than anyone in my family and I suspect this comes from my birthmother.
On the other hand, much of my make-up today as a creative, curious woman, most likely sprouted from my upbringing.
Maybe we’re all a nature/nurture combo, an age-old debate that will go on and on and cycle through the same question and back again to ask, “Which drives us the most, nature or nurture?”
About fortitude and resilience, what’s the choice? Either plow through a challenge, or not. I don’t know any other way but to push ahead. It’s not as easy for me as some people think but most of all, I’m not one to give up until by instinct I sense it’s time to move on, at which point say to myself, “I’ve done all I can, done my best.”
3) Was there an epiphany that caused you to start The unPrison Project or an “a ha” moment? What do you hope to accomplish? What do you need help with?
Thanks for this opportunity to shamelessly plug my nonprofit. I’m thrilled about the future of The unPrison Project and what we can give back to incarcerated women and their children. Last year we received our 501c3 nonprofit status so all donations are now tax deductible.
My first return visits to my birthplace, the Alderson prison in West Virginia, inspired me to use what I was given in life to reach out and give back. The unPrison Project works in four directions right now: 1) To educate people outside prison about the needs of women in prisons and their children; 2) To provide a Goals Journal for each woman in prison we reach custom printed so they can track their goals in education, parenting (if they have children,) drug and alcohol rehab counseling, and life skills development; and 3) To provide resources and motivation for women on the inside to pursue their education, and follow-through on rehab and mental health counseling; and 4) College scholarship foundation we’re establishing for high school daughters of women in prison, with the Alderson Prison as the pilot program.
The travel to reach prisons across the country, and workshop materials, all need funding. While some prisons contribute, their budgets don’t allow for the kind of support this work requires.
We need seed money for each of the four programs. If anyone’s moved to donate, please do so here.
4) Is there anything in your past that you regret or that you’d do over?
I lament some things, but not regret. I wish I’d been kinder to my mother, I wish I’d spoken up for myself more as a girl, a few other “I wish…” But in everything past, it’s gone and I don’t spend time focusing on what could have been. I’d drive myself crazy if I did this.
5) What lessons would you want to impart to young people including your own children?
My two daughters, ages 12 and 16, know three things from me, for sure. At least I hope so. Kindness, respect, and curiosity, these matter most, I believe, for all ages—to respect ourselves and respect others. Imagine if this were universal?
6) What are your goals and aspirations today?
Beyond writing, my goals and aspirations focus on The unPrison Project and reaching as many women in prisons as possible with a message of hope from someone they’ve never met with the kind of story and skills I bring, added to clear-cut outcomes about education and rehab for substance abuse, which is one main contributor to incarceration.
I’m working on a second memoir, and also a YA novel, and a collection of short stories. I yearn for more do-nothing time, preferably on a beach, cooked under the sun and barefoot in sand.
To contact Deborah, email: firstname.lastname@example.org.
“Furniture, we feel, is a development of mood besides being purely utilitarian. Basic forms with the reflection of the constancy of nature find satisfaction in times like ours.
A small poetic haven in an unsettled world where excitement seems so necessary.”
George Nakashima, from his 1962 Studio catalog
George Nakashima, Woodworker, is what his business card read. He’s that, and a whole lot more. “Today Nakashima is regarded as one the most important artisans of the American studio crafts movement.” from Primavera Gallery
“George Nakashima was born in Spokane, Washington in 1905 and grew up in the forests of the Olympic Peninsula. He received a Bachelor’s Degree in architecture at the University of Washington (although he enrolled in the University to study forestry and switched majors after two years) and a Master’s from MIT in 1930, as well as the Prix Fontainebleau from L’Ecole Americaine des Beaux Arts in France.
During the 1930’s Nakashima lived in Paris and from there he traveled to Japan to familiarize himself with his ancestral roots. It was in Tokyo that Nakashima joined Antonin Raymond’s firm which allowed him to work in Pondicherry, India, where he supervised the building of the dorms at the Sri Aurobindo ashram, a project which would have a profound impact on the designer. For this project Nakashima created his pieces of furniture.
At the start of World War II he headed back to the U.S. but not before returning to Japan where he met his future wife, Marion. Once back in the US, in 1941 (the same year that he married Marion), the couple settled in Seattle. In 1942, the year that his daughter Mira was born, Nakashima and his family were sent to the internment camps in Idaho. With Raymond’s help, Nakashima was able to get out but only after the architect promised that the designer would work for him on his farm in Bucks County, PA. It was here that Nakashima began his business and built his home and workshop, known as the Conoid studio. (“Conoid” is also the name of his very famous chairs from 1960).” from Primavera Gallery
It was George Nakashima’s dream to provide “Altars of Peace” for each of the seven continents on earth. Constructed from a magnificent pair of matched Black walnut, the first “Peace Altar” was consecrated and installed at the Cathedral of St. John the Divine in New York City in 1986.
The second Sacred Table, built to celebrate the 50th Anniversary of the United Nations in 1995, was made from the same monumental black walnut tree as the first and blessed at the same Cathedral. After serving its mission as a unifying presence at The Hague Appeal for Peace in May of 1999, it resides in the newly renovated Russian Academy of Art in Moscow to help inspire peace in the new millennium.” from NakashimaWoodworker.com Read More…
Yes, there is a new flavor of ice cream named Taste the Lin-Sanity. Does Jeremy Lin get a cut? He should!
The frenzy that is Linsanity has yet to peak and it seems to disregard game by game results by Mr. Lin. Indeed, it’s moved into a new level such that Linsanity has a life of its own. Paramount to this is the question of race, image of Asian Americans of themselves as much as how the rest of the world perceives us, and the bastion of what was always Ebony and Ivory, the NBA. Is it weird to be in year 2012 and have a new hero much like Jackie Robinson was to the sport of baseball or Tiger Woods to golf?
Jeremy Lin is more like Jackie Robinson to me, and the hopes and dreams of Asian Americans seemed pinned to his success. What are our dreams exactly? It can be simply for a young Asian American hapa to make the NBA like my young friend Tom in 4th grade. Finally, he has a role model that he can relate to. It’s also a coolness factor. That Asian American men actually are sexy, strong, and confident despite Madison Avenue messaging that only Asian women are sex symbols.
And what do you think of Chink in the Armor? My friends, the musical group The Slants, are probably chuckling. Our world is now so PC that they — The Slants — an Asian American dance band (and very good, check them out) are denied trademark rights because they dare to denigrate themselves with racial slurs. To be honest, Chink in the Armor is a clever play on words. Very headline worthy. Catchy too. Is it too honest? That people view Lin as a Chink? Do they view him that way or was this just a headline grabber for readership? I would like to think the writer who was fired is not even racist. That’s entirely possible.
There is a whole new huge world out there that is now suddenly interested in basketball who never paused the channel before and it extends beyond the U.S.A. That Lin can engage the Asian community both here and in China is a marketer’s dream. With his squeaky clean image juxtaposed with his on court swagger, this is a new world of media images we’ve never seen before. I think it will start to extend beyond basketball. Maybe there will finally be an Asian Old Spice guy. Maybe Asian actors will be cast beyond doctors and techno geniuses.
What do you think? Did Chink in the Armor bother you or did it just bounce off your armor? Does it bother you that Linsanity is not just about his basketball ability but his race or do you accept that it’s a package deal? Do you think the hype IS caused by race? I’d love to get your opinion!
ESPN has swiftly fired the writer responsible for publishing a post about the Knicks Friday loss with title, “Chink In the Armor.” The headline went up at 2:30 am and ran for exactly 35 minutes before it was taken down.
ESPN released the following statement apologizing for the lapse in judgement:
Last night, ESPN.com’s mobile web site posted an offensive headline referencing Jeremy Lin at 2:30 am ET. The headline was removed at 3:05 am ET. We are conducting a complete review of our cross-platform editorial procedures and are determining appropriate disciplinary action to ensure this does not happen again. We regret and apologize for this mistake.
ESPN anchor Max Bretos has also been suspended for 30 days for asking, “If there is a chink in the armor, where can Lin improve his game?” while on the air. Whoops, shoulda just gone with a simple, “You Lin Some, You Lose Some.”
“Floyd Mayweather Jr., the famed boxer, caused controversy when he said the other day, ‘Jeremy Lin is a good player but all the hype is because he’s Asian. Black players do what he does every night and don’t get the same praise.'” Lin is the first Chinese-American to not just get on the court but make a major impact in the NBA. That is huge.
Asian Harvard Grad Somehow Succeeding In New York; Or, Why I Love Jeremy Lin from DeadSpin
“Jeremy Lin, a charming 23-year-old with an economics degree from Harvard College, has somehow become the city’s ultimate underdog and talisman.”
Just Lin, Baby! 10 Lessons Jeremy Lin Can Teach Us Before We Go To Work Monday Morning from Forbes
“The Jeremy Lin story is incredibly popular because we can all see a little bit of ourselves in this man’s struggles and now successes.”
1. Believe in yourself when no one else does.
2. Seize the opportunity when it comes up.
3. Your family will always be there for you, so be there for them.
4. Find the system that works for your style.
5. Don’t overlook talent that might exist around you today on your team.
6. People will love you for being an original, not trying to be someone else.
7. Stay humble.
8. When you make others around you look good, they will love you forever.
9. Never forget about the importance of luck or fate in life.
10. Work your butt off.
May we all learn from Jeremy Lin and be better for it.
“The art of stone in a Japanese garden is that of placement. Its ideal does not deviate from that of nature… But I am also a sculptor of the West. I place my mark and do not hide.”
Noguchi Coffee Table for Herman Miller
“To limit yourself to a particular style may make you an expert of that particular viewpoint or school, but I do not wish to belong to any school,” he said. “I am always learning, always discovering.”
Thank you HapaMama for this great children’s book recommendation on Isamu Noguchi.
The East-West House: Noguchi’s Childhood in Japan by Christy Hale
“Isamu Noguchi was born Isamu Gilmour in Los Angeles in 1904 to Leonie Gilmour, an Irish-American teacher and editor, and Yone Noguchi, a Japanese poet. It is the cultural divide between his parents, between East and West, between two distinct histories of art and thought, that would engage him his entire life. In 1906, Noguchi’s mother took him to Japan, where he attended Japanese and Jesuit schools. While in Japan, Noguchi gained an appreciation for its landscape, architecture and craftsmanship. Later his mother sent him to Indiana to attend a progressive boarding school she had read about in a magazine.
After high school Noguchi enrolled in Columbia University to study medicine, while at the same time taking sculpture classes on the Lower East Side. It wasn’t long before he realized that art, not medicine, was his true calling. He left school and found a studio where he could sculpt full-time.” from PBS
image from Modernica Blog. Finn Juhl ‘Pelian Chairs’ with Noguchi Coffee Table photo by Eric Laignel
image from Modernica Blog. Noguchi Coffee Table Photographs by Dominique Marc Wehrli.
The Asian/Pacific American Awards for Literature honor and recognize individual works about Asian/Pacific Americans and their heritage with exceptional literary and artistic merit. The awards are given in five categories, including Adult Fiction, Adult Non-Fiction, Children’s Literature, Young Adult Literature and Picture Book.
Amy Waldman imagines the fallout when a Muslim American of Indian descent, Mohammad “Mo” Khan, wins an anonymous competition for a 9/11 memorial just two years after the World Trade Center tragedy. Waldman treats her large ensemble of characters with understanding and sympathy. Through the experiences of two very different Asian American, Muslim characters—disenfranchised and privileged, immigrant and second generation—“The Submission” interrogates the definition of America.
Leche by R. Zamora Linmark was selected as the Honor Book in the Adult Fiction category.
The Woman Who Could Not Forget: Iris Chang Before and Beyond the Rape of Nanking – A Memoir by Ying-Ying Chang won the Adult Non-Fiction award.
Ying-Ying Chang had the unfortunate task of writing her own daughter’s memoir after her tragic death. This moving memoir takes the reader into the world of Iris Chang, journalist and author of “The Rape of Nanking” (Basic Books, 1997), following her childhood imagination, creative writing, triumphs, motherhood, depression and suicide. Ying-Ying Chang did what she thought was important; to share the story of Iris’s illustrious as well as obscure life, which makes for a touching and poignant tribute to her daughter.
The Bangladeshi Diaspora in the United States after 9/11: From Obscurity to High Visibility by Shafiqur Rahman was selected as the Honor Book in the Adult Non-Fiction category.
Twelve-year old Lucy is going to have the best year yet: she will be a sixth grader, be the captain of her basketball team and have a bedroom all to herself. Her plans change, however, when her Yi Po (great aunt) visits from China and Lucy has to share her room with Yi Po for a few months. This is a hilarious first children’s book for Shang, with a serious undertone as she explores the complexities of racial identity in a Chinese-American family with traditional parents and American-born children.
Vanished by Sheela Chari was selected as the Honor Book in the Children’s Literature Category.
Kanako Goldberg wants nothing more than to spend the summer with her friends in New York, but the loss of her classmate Ruth changes everything, and her parents believe that the best thing for Kanako to do is to be shipped off to her grandparents’ mikan orange farm in Shizuoka, Japan. Written entirely in verse, Kana’s intimate narrative captures the reader as she not only grapples with the death of a friend, but also navigating a place that is not entirely familiar, even if it is a part of her.
Level Up by Gene Luen Yang was selected as the Honor Book in the Young Adult Literature category.
The House Baba Built: An Artist’s Childhood in China by Ed Young won the Picture Book award.
Fragments of artist Ed Young’s childhood are gathered in this memoir, displayed in a variety of hand drawn images, paintings and collages of cut paper and personal photographs. While addressing the issues of World War II and their effect on China, much emphasis is placed on warm vignettes of small, personal moments that all readers can relate to.
Hot Hot Roti for Dada-ji by F. Zia, illustrated by Ken Min was selected as the Honor Book in the Picture Book category.
Special thanks to the APALA Literature Awards Committee, including Jury Chair Dora Ho; Adult Fiction Chair Michelle Baildon and members Suhasini L. Kumar, Karen Fernandez, Eileen Bosch and Jerry Dear; Adult Non-Fiction Chair Buenaventura “Ven” Basco and members Eugenia Beh, Samanthi Hewakapuge, Monica Shin and Yumi Ohira; Children’s Literature Chair Ngoc-Yen Tran and members Shu-Hsien Chen, Tamiye T. Meehan, Laksamee Putnam, Katrina Nye and Maria Pontillas; Young Adult Literature Chair Lana Adlawan and members Jade Alburo, Lessa Pelayo-Lozada, Karla Lucht and Candice A. Mack and Picture Book Chair Susan Hoang and members Jeannie Chen, Kate Vo-Thi Beard, Amber Painter and Danielle Date Kaprelian.
An affiliate of the American Library Association (ALA), the Asian/Pacific American Librarians Association (APALA) was founded in 1980 by librarians of diverse Asian/Pacific ancestries committed to working together toward a common goal: to create an organization that would address the needs of Asian/Pacific American librarians and those who serve Asian/Pacific American communities. For more information about APALA, visit www.apalaweb.org.
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